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Has been from the country of incense partial smoked dyeing, but also more regret the flower god ingenious cut - Song Qiuxin peony painting of the shallow view

 Last Update: 2022-09-30
 Source: Internet
 Author: User

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Yong Zhan.
Guanghe

The first sight of Song Qiuxin's peony began with "celebrating the 95th anniversary of the founding of the Communist Party of China", a set of exquisite albums of the "Stamp Collection" edition printed and published by the Beijing Stamp Factory: its wonderful composition that integrates the ancient rhymes of thousands of autumns and the voices of the times makes us refreshed -- the dynamics of the "galloping horse" galloping for a thousand years and the majestic style, the "peony" embraces the national color and heavenly fragrance for thousands of years and the splendor of eternal changchun, making it difficult for us to release the scroll and think about it for a long time.
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Chinese peony painting began in Northern Qi and flourished in the Tang and Song dynasties, dating back to 1500 years of Danqing history
.
The reason why peony makes the Chinese people known as the "national flower" is not only because "the peony blossoms, the world is gorgeous", but also the homeland where it lives and breathes - "It is better to die in exile, and Yu cannot bear to live for this state"
.

According to historical records, during the War of Resistance Against Japanese Aggression (1938), Japanese bandits who invaded and occupied the North China Plain coveted the "Han Peony" in Lixiang, Xingtai, Hebei Province, and blatantly used helicopters to transport the "Han Peony" that had been severed from roots to Kyoto, Japan, in an attempt to steal the national treasure of china's "Guan Qunfang" in an attempt to steal the national treasure
of China's "Guan Qunfang" in an attempt.
Han peony is as the meaning of the album: its firm xiangyu of "Uya"; Guan Yunchang's "Red Rabbit" ambition! "Do not eat Zhou Su" and "refuse to drink Meng Po soup" until the root is dry
.
Decades later, the plundered Baixiang Han Peony was reborn
in the prosperous world.
It is precisely because the Han peony in Baixiang protected Liu Xiu, the future lord of the Eastern Han Dynasty, because of the broken season, and broke Wang Mang's dream of being an emperor, that it was known as the "imperial seal" of han peony
by the world.
Although Han peony is not as famous and magnificent as the later Heze and Luoyang peonies, it is far away from history and humanities, and the steadfastness of patriotic Danhuai hangs in qing history
.

Appreciating Song Qiuxin's peonies, the reason why we are so obsessed with history, let us suddenly recall the famous painter Mr.
Shi Lu's motto "Life for me to make new ideas, I pass on the spirit for life" aphorisms, is because qiuxin's peony and the meaning of "galloping horse" endowment has endowed us with the national spirit and the cultural quality of the times in the past 40 years of reform and opening up; Symbolizes the national mentality of the prosperous world and the perseverance of perseverance; Inheriting the Han peony and Han culture of "do not forget the original heart, the party must always be" of the righteous thin cloud sky; Lyrics of Qiu Xin's "wild ride in the chest, the bottom of the pen waves".
.
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In the late autumn of Ding You's year, thanks to the art of the union, we were able to talk about
wine in the coastal town.
Qiu Xin's gentle elegance and calmness once again confirm his inner impression of "waving a column of splendid embroidery, falling paper cloth and clouds of smoke", so that the viewer is convinced of the "phase born from the heart"
of his peony paintings.

Qiu Xin's peony, focusing on the sublimation of qi rhyme, in the "smelting state is light, the fragrance is swaying", highlighting the calmness and generosity of the peony, quite Han Chun's "peach when the apricot day is not in contention, the leaf tent is yin into the red, Xiao Yan is far away from the golden palm dew, the twilight fragrance is deeply provoked by the jade hall wind" Dimension, the peony of Qiu Xin, highlighting the glory of the branches and flowers, so as to attract the viewer in addition to the peony, imagining that all things in heaven and earth are interdependent, mutually supportive, and mutually reinforcing natural communities
.
All gentlemen must have han Yuzhi's demeanor of "fortunately opening up with each other vaguely, why should they rely on each other and fight lightly, lingchen and make new makeup, and have no affection for guests".
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Qiu Xin has her own unique thoughts about the posture and bones of peonies: we can see from her seemingly random dyeing "green calyx red buds", "gold powder spit incense", "shallow rouge", "leaf fall Yin Yin": Qiu Xin in the scene of all kinds of peonies, thousands of years of customs in the heart, in the pen and ink and mind to find the spirit
of peonies that belong to "peony" and also belong to her heart and the trend of the times.

With Qiu Xin's wisdom and age, her "peony" creation is just like the Tang Dynasty Li Zhengshu Yong Peony's "Heavenly Fragrance Night Dyeing Clothes, National Color Dynasty Wine"; And the autumn of her peony and flowers and birds is like "the beginning of the painting column"
.

As viewers, in the hustle and bustle of the "peony fever" in the painting world, we have to encounter Qiu Xin's "Fei Fei Rain dew as a clear yan, Shuo Shuo Bright Lamp illumination" (Song.
Su Shi) is a kind of relief, but also for Qiu Xin to give me the "Rich and Noble Changchun" .
.
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Borrowing Mr.
Ye Yuchao's "Inscription Painting" poem "Immortals fluttering at dawn, He Zeng has no master of this name flower
.
" In the spring breeze of March of each year, half belonged to the Yao family and half to the
Wei family.
" Thank you
.

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